I tried Alton Towers’ Scarefest and it was more terrifying than Universal – with entirely new scaremaze this year

HAVING braved Universal Studios’ Halloween Horror Nights in Los Angeles, I thought I knew what terror felt like.

I was wrong. Nothing can prepare you for the sheer, spine-chilling fear of being shoved into a four-by-four cell, separated from your family and having a twitching, masked lunatic scream repeatedly in your face.

Welcome to Scarefest 2026.

I’d dragged my two thrill-obsessed kids — 12-year-old son Corben and daughter Piper, ten — along to for the grand opening.

We went in expecting a few cheap jump-scares, fake cobwebs and a bit of a laugh. Instead, we got a -level masterclass in pure, unadulterated fright.

The big buzz this year is around Final Exhibit — the park’s newest scare maze which promises to “immerse guests in a world of fear”.

Beyond the doors of the abandoned warehouse lies The Curator’s forgotten collection, where each room reveals a dark secret.

Upon entry, a strange, long-haired woman sits seemingly frozen at a desk.

But as we approach, what I think is a mannequin is in fact a terrifying, ghostly creature that comes to life, furiously thumping the desk with a stamp.

The corridors are filled with archivists — a silent workforce of hypnotised servants whose primary job is to terrify the bejesus out of you.

But this is more than just a scare experience. Visitors are told that those who fail to escape will be transformed into living exhibits, trapped within the archive forever.

The production value is off the charts and it all feels authentic.

Fortunately, my kids and I did eventually escape but we were blown away by the movie-style special effects.

But the real stars of the show are the scare actors — an army of performers that don’t just jump out from behind doors.

They stalk you from the shadows, crawl along the floors and track your every move before “attacking” with menace.

Monsters keep their distance in the other scare mazes, but at they reach out, touch your arms, grab your shoulders and brush past your neck in the dark. It turns a simple walk-through into an immersive nightmare.

Corben gasped in horror as a creature reached out from the shadows and grabbed his arm, sending us sprinting for the exit.

A serious word of warning to parents thinking of taking under-12s inside any of the scare mazes — they are NOT for the faint-hearted.

Visitors are spoiled for choice, with scare mazes including Final Exhibit, Edge of the Forest, Altonville Mine Tours: Tiny’s Revenge and the epic Compound. If Final Exhibit tests your nerves, Compound utterly destroys them.

In this terrifying attraction, visitors are torn away from their group and thrown into individual cells in a brutal mental asylum.

I was shoved into a tiny padded cell with a screaming lunatic frothing at the mouth. It was one of the most intense theme park moments I’ve ever experienced.

Thankfully, Alton Towers hasn’t forgotten about families with younger kids who want the atmosphere without the trauma.

The park is packed with fantastic, family-friendly frights that hit the sweet spot for younger children.

Piper loved Trick O’ Treat Town, which allows kids to knock on doors down colourful Spooky Avenue, collecting sweet treats along the way.

Another hit for families is Amigos in the Afterlife — a vibrant, Day of the Dead-themed walk-through bursting with brilliant costumes, upbeat music and glowing displays.

And, of course, a trip to Alton Towers wouldn’t be complete without tackling the world-class line-up of rollercoasters and rides, which take on a completely different personality once the sun goes down.

For those who fancy an overnight stay, the monorail will take you to the Alton Towers Hotel where family rooms come with a double bed for the adults, and bunks for the kids.

Good luck getting to sleep after those frights, though.