Historical retrospective — newly researched on 7 November 2026. This article concerns Taylor Swift's appearance at Billboard Women in Music on 12 December 2019. It is not a reproduction of the missing original FlyingEze article, whose original publication date could not be independently recovered.

When Taylor Swift accepted Billboard's inaugural Woman of the Decade award in Los Angeles on 12 December 2019, attention naturally focused on her career, the music industry and her outspoken acceptance speech. A smaller but noteworthy detail of the occasion connected the American singer with Middle Eastern design: Swift wore earrings by Lebanese-Brazilian fine-jewellery designer Ana Khouri.

Contemporary fashion reporting identified the pieces as Khouri's Diamond Christy and Lily earrings, worn with a black Oscar de la Renta jumpsuit featuring chain details and Sergio Rossi footwear. The look was an example of how jewellery from a designer with Lebanese heritage could share the spotlight at an important American music-industry ceremony. Arab News's 16 December 2019 coverage and The National's 18 December 2019 fashion report independently recorded the designer attribution.

Which award did Taylor Swift receive?

Swift received Billboard's first Woman of the Decade distinction at the 2019 Billboard Women in Music ceremony, held on Thursday, 12 December, at the Hollywood Palladium in Los Angeles. British actress and presenter Jameela Jamil introduced the singer for the honour. Swift had previously been recognised by Billboard as Woman of the Year in 2011 and 2014.

The distinction marked her influence across the 2010s, a period in which she moved from country-music success to major international pop releases and sold-out tours. Billboard's own December 2019 Woman of the Decade profile provides contemporaneous context for the honour. Its following issue documents the ceremony and lists Swift as the first Woman of the Decade.

The award should not be confused with a Grammy, an American Music Award or a later Billboard Music Awards ceremony. Those are different events with different categories and dates. For a clearly separate, later recognition of her visual work, see FlyingEze's coverage of Taylor Swift receiving MTV's Artist-Director Award ; that award is not the subject of this 2019 retrospective.

The Lebanese-designed jewels that completed Swift's look

At the 2019 ceremony, Swift's understated black jumpsuit was complemented by jewellery whose sculptural details brought visual interest to the ensemble. Regional fashion reports identified the earrings as Ana Khouri's Diamond Christy and Lily designs. Khouri is a Brazilian-born jewellery designer with Lebanese heritage, rather than a designer whose work is necessarily manufactured in Lebanon.

That geographical distinction matters: the original headline described the pieces as “Lebanese-designed jewels,” but the more precise account is that Swift wore pieces by a Lebanese-Brazilian designer based in New York. There is no need to infer a Beirut manufacturing origin for the two specific earrings.

The statement jewellery contrasted with the streamlined tailoring of Swift's black Oscar de la Renta outfit. Its chain elements added a metallic detail, while the earrings helped frame the singer's face under stage and red-carpet lighting. Contemporary clothing identification is supported by Arab News , The National and a December 2019 outfit-identification archive . This reconstruction does not rely on the archive's historical retail prices as current prices or appraisals.

Who is Ana Khouri?

Ana Khouri is a jewellery designer whose creative practice has been described as closely connected to sculpture and the human form. Although often characterised by fashion publications as Lebanese-Brazilian, she is frequently profiled in the American and European fashion press as a Brazilian-born designer working from New York.

In an interview published by auction house Phillips in September 2018, Khouri discussed treating jewellery as a form of wearable art. Instead of limiting design to conventional settings, she explored the interaction between precious materials, three-dimensional forms and the body that wears them. The interview highlights how her experience in sculpture informed the style of her earrings, cuffs and other designs.

That approach helps explain why a pair of earrings can become a focal point of a red-carpet appearance without being oversized or heavily decorated in the traditional sense. Khouri's forms can follow or frame the contours of the ear, turning an accessory into part of the wearer's silhouette. Phillips's contemporary interview and a Council of Fashion Designers of America profile document this creative approach.

Why the designer attribution mattered

The 2019 appearance was significant partly because red-carpet coverage can introduce an international audience to designers outside the most familiar luxury-house names. Swift was receiving recognition for a decade of musical influence, while the jewellery she chose drew fashion attention towards a designer whose identity spans Lebanese heritage, Brazilian roots and a New York-based practice.

Fashion attribution is important beyond celebrity trivia. Jewellery is often a specialised field in which an artist's name is less visible than the brand behind a gown or handbag. Naming the designer makes it possible for readers to understand who created the pieces and how the artist's aesthetic relates to the appearance.

However, a celebrity wearing a designer's jewellery does not by itself prove that a formal endorsement, paid campaign or commercial sponsorship existed. No such arrangement has been established for this specific 2019 appearance in the sources reviewed. The verified fact is the fashion credit, not an undisclosed business agreement.

What did Swift say at the ceremony?

Swift's acceptance speech attracted substantial attention because she used the occasion to discuss the experience of women in music, power imbalances, ownership of recordings and the treatment of artists by the wider industry. It was delivered against the backdrop of her public dispute over the rights to the master recordings of her earlier albums.

Contemporary coverage described her criticism of industry double standards and the way women were discussed, compared and judged. It also reported her objections involving music executive Scooter Braun and the transfer of ownership of her former record label's assets.

These were Swift's public positions and criticisms during an ongoing commercial dispute, not legal findings made by an awards organisation. They provide historical context for the speech and explain why the event received much wider coverage than the details of her outfit alone. Arab News's contemporary account and Billboard's retrospective event coverage record the main subjects of her remarks.

The look: black tailoring and statement jewellery

Swift's outfit offered a contrast to the highly embellished stage looks often associated with major music ceremonies. The black Oscar de la Renta jumpsuit provided a comparatively restrained base, although its asymmetric and chain details kept the styling dramatic enough for the occasion.

The earrings supplied additional visual texture. Contemporary coverage described the Diamond Christy and Lily designs; the names refer to particular styles from Ana Khouri, not to separate awards or gifts presented by Billboard.

Fashion publications also identified Sergio Rossi heels. Some specialised outfit archives list additional rings and accessories, but this article avoids treating every attributed piece as definitively established when the strongest contemporary reporting centres on the two Khouri earrings and the Oscar de la Renta clothing.

Without authenticated product imagery and direct confirmation from the designer, it would be irresponsible to claim that a newly generated illustration is an exact reproduction of either earring. The featured image accompanying this reconstruction is clearly labelled as an editorial illustration.

The 2019 timeline: what is documented?

  • Before December 2019: Billboard announced that Swift would receive its first Woman of the Decade honour.
  • 12 December 2019: The Billboard Women in Music event took place at the Hollywood Palladium in Los Angeles. Swift accepted the award while wearing Ana Khouri earrings.
  • 13 December 2019: Swift turned 30, the day after the ceremony.
  • 16 December 2019: Arab News published a report identifying Khouri's Diamond Christy and Lily earrings and the singer's outfit.
  • 17 December 2019: An Al Bawaba entertainment archive lists a story titled “Taylor Swift Accepts an Award in Lebanese designed Jewels”, providing a historical title match for the lost FlyingEze topic.
  • 18 December 2019: The National published its fashion coverage of the same designer attribution.

These dates identify documented events and reporting. They do not establish the original publication timestamp of the lost FlyingEze article, which has not been verified from an original CMS entry or an authenticated archive snapshot.

Why it was not another Lebanese designer

Swift has worked with or worn creations from several designers with Middle Eastern connections, including Lebanese couturiers who made appearances in her later tour wardrobe. Those later outfits can easily become confused with the December 2019 awards appearance when searching for old photographs and fashion stories.

For this specific ceremony, the available contemporary reporting names Ana Khouri as the jewellery designer. It would be incorrect to substitute a different regional designer simply because that person also dressed Swift at another event.

A later Arab News retrospective on Swift and Arab designers separately confirms the 2019 Khouri attribution alongside other, later collaborations. The distinction helps preserve the correct historical record.

What the story says about global fashion visibility

High-profile awards ceremonies showcase music, but they also act as international platforms for fashion and design. Photographs published after an event can bring attention to the jewellers, stylists and clothing designers whose work appears on a celebrity.

Khouri's appearance in reports about the Billboard event demonstrates how fashion stories can cross national boundaries. Her jewellery could be discussed in the context of Lebanese design heritage while also belonging to a business and creative practice rooted in Brazil, New York and the international luxury market.

That background is more precise than treating jewellery as a symbol of a single country. Designers often work across borders, sourcing materials, developing designs, exhibiting work and serving clients internationally.

The more valuable interpretation of Swift's 2019 look is therefore not that one country can claim the whole outfit. It is that an internationally recognised artist wore jewellery credited to a designer with a multicultural creative identity during a major moment of her career.

Frequently asked questions

Which award was Taylor Swift accepting in Lebanese-designed jewels?

She received Billboard's inaugural Woman of the Decade honour at its Women in Music event on 12 December 2019.

Who designed Taylor Swift's earrings?

Contemporary reports identified the designer as Ana Khouri, a Brazilian-born jeweller with Lebanese heritage who was based in New York.

Which earrings did she wear?

Arab News and The National identified them as the Diamond Christy and Lily earrings.

What else did Taylor Swift wear that night?

Her outfit included a black Oscar de la Renta jumpsuit with chain detailing and Sergio Rossi shoes, according to contemporary fashion reporting.

Were the earrings made in Lebanon?

The cited reports identify the designer as Lebanese-Brazilian; they do not independently establish the production location of the specific 2019 earrings.

Is the event connected to the Eras Tour?

No. This story concerns the December 2019 Billboard Women in Music event, several years before Swift's Eras Tour began.

Conclusion

Taylor Swift's Woman of the Decade award at Billboard Women in Music on 12 December 2019 was a milestone in her career and a platform for her public comments about artists' rights. It was also a memorable fashion appearance in which jewellery by Lebanese-Brazilian designer Ana Khouri accompanied an Oscar de la Renta outfit.

The Diamond Christy and Lily earrings provided a distinctive design credit at an internationally watched event. Recovering that detail with accurate attribution preserves the historical meaning of the missing FlyingEze story without mistaking the event for a different award ceremony or confusing Khouri with other designers Swift has worn.